Archive for February, 2007

Movie Related

February 24, 2007

Yesterday I picked up my mother at the airport in Burbank. I haven’t seen her in a couple of years. She came to attend the retirement party of an old family friend. Noble Threewitt. He retired after 75 years of training thoroughbred racehorses. Today was his birthday. He turned ninety-six. I’ll talk more about that later, when I find the cable to download some photos from my camera.

In the meantime, I have something else. After the swanky affair, we came back to my house. I couldn’t put Mom to bed because I hadn’t put the sheets in the dryer. Yikes. What are we going to do for forty minutes? I would have spent the time writing – I have a heavy deadline on my book and could use every available minute between now and July. But that would have been rude. So, I pulled out a binder of old photos I’d collected from my grandmother’s house (dad’s side) when she died and my dad’s house after he died. What could be more fun than sending my mother down memory lane?…the yellow brick road she travelled before she dumped my dad (when I was twelve) for a guy way way lower on the food chain.

One thing that amazes me about my mother is that she remembers people. People she hasn’t seen or thought of in years. I can’t remember anyone. I looked at my kindergarten picture and only remembered one girl’s full name. And maybe another three by a first or last name. I put all the important pictures in front of her – all the images of the good times she had with my dad. The wedding pic, the honeymoon shot, kids, postcards she’d sent to me from their world travels…and then this photo. Which was taken at least two years before I was even born.

parent-party1.jpg

It’s a small 3×5 snapshot. I could barely see the people. But my mother just rattled off a bunch of names. And told me it was a gathering in California while my parents were down for the horse races (they had horses that ran in California, but lived in Canada).

Here’s who she remembered off the top of her head, corresponding to the numbers on the photo:

1. Lionel Conacher (1900-1954) – selected by sportswriters in 1950 as Canada’s all-round male athlete of the half-century.

2. Max Bell (died in ‘72) – Google him. He lived across the street from us. He owned the newspaper in Calgary (as well as a boatload of other things) and hosted all the dignitaries that came to town, including Robert Kennedy and Bing Crosby.

3. Victoria Horne (1911-2003) – wife of #4 and an actress.

4. Jack Oakie (1903-1978) – actor with over 100 IMDB credits. It was his house. Notice the pics of his famous friends on the wall? I love his IMDB personl quote: “The pictures I made were called the bread and butter pictures of the studio. They cost nothing and made millions, and supported the prestige productions that cost millions and made nothing.” And this trivia note: Working as a Wall Street clerk, he narrowly escaped death in 1920 after the Treasury Building was bombed by terrorists. Guess things really don’t change.

5. Rosemary Ripley – friend of my parents.

6. Joyce – My mother.

7. Isabelle McMahon – part of the stinking rich McMahon family. The pro football stadium in Calgary is named after them.

8. #11’s wife.

9. Agnes Bell – wife of #2.

10. Cecil Chesher – my dad.

11. Johnny Longden’s brother – Johnny Longden was a famous jockey who won the Triple Crown in 1943 and is the only man in history to win the Kentucky Derby as a rider and a trainer.

My mother had a good time. Seeing people she knew in the old days, both in person and in my photo collection. We woke up this morning and I took her back to the airport and off she went. Less than a 24 hour visit. That’s the way it goes.

HaHaHa

February 20, 2007

Five days ago I wrote a post about finishing the big rewrite.

Done…finally.

That’s what I called it.

Sort of had an air of finality to it, didn’t it?

Today I rewrote/tweaked three scenes.

Whatchya gonna do?

Done…finally.

February 15, 2007

The rewrite is done. I can breathe.

This was the strangest rewrite I have ever done. The plot is the same. The locations didn’t change. Still, it took me six weeks to rewrite. I rewrote and rewrote and rewrote but it seemed like nothing changed. Every time I opened the script, I’d see the same sluglines that have been there for months. The same places they went. The same people they met.

It was painstaking. I felt like I was spinning my wheels. Until now. I just finished a final ‘fix the typos and anything else that makes me go aack’ read through. Turns out it’s really different than what it was six weeks ago. And, in my not so humble opinion, I think it’s really, really good. How can I write that outloud? Because I was reading through a script I’ve been living with every day for the past six weeks, just looking for typos, and the damn thing made me cry.

And that’s how I know I’m done…

…until the next rewrite, of course.

In the meantime, this baby is ready to go out. Earlier today, a version with a couple of typos went out via FedEx to a name musician on the East coast. Not to his agent. To him. At his house. We like him for the lead singer/guitarist of our ficticious band. We’ll see what he thinks.

Tonight I am emailing PDFs to a producer friend with more connections than me who’s willing to help if he likes the rewrite. Not that he didn’t like the previous draft. He just thought it could be better. Guess what? He was right.

It’s also going to another friend of mine who just finished his first movie. I will value his opinion. Oh, and the first email with PDF attached will go to Peter Basler.

We’ve already contacted the film commissions of two states where we plan to shoot. They will get the script tomorrow. And then we’ll get back location suggestions and accurate costs that we can slot into our budget.

I will also be calling a professional contact of Peter’s who will hopefully (if she likes the script and we like each other) help us break down the script and create our budgets. Yes, we’re going for three budgets: a no-budget, a doable budget and a dream budget.

Also, I was in contact with the agent of an young English actress I saw in a film last year. Turns out she’s slightly young for the role – and I doubt her parents would let her do it because it’s definitely R-rated – but I’m going to see if the agents wants to read it. You never know. Jodie Foster did Taxi Driver when she was twelve. Talk about dark.

And, I’m thinking about the pre-sell key art. I’m so glad I don’t have to pay someone like me to do the teaser key art.

Let the producing begin.

Fly Like Mercury

February 13, 2007

fly-like-mercury-poster.jpg

Last April I worked as a still photographer on a short film and also created the poster. It was a fun project to work on – the food was really good and the people were very cool.

It is screening in the Pan African Film Festival this week in Los Angeles:

Tuesday, 1/13 at 3:40PM and Saturday, 1/17 at 11AM
AMC Theatres Magic Johnson Theatre
4020 Marlton Avenue, Los Angeles, CA 90008

A bunch of cast and crew will be at the screenings – I’m going on Saturday.

These are the credits if you’re interested in the who’s who of it:

“FLY LIKE MERCURY”
starring
MEHCAD BROOKS
REGINALD NELSON
ERIC RAMSEY
HARRY J. LENNIX
RUSTY SCHWIMMER
PARVESH CHEENA
and BENJAMIN WEISS
casting by DEIRDRE M. SMITH
costumes by ASHLEY YODER
associate producer DEIRDRE M. SMITH
co-produced by BETHANY LANDING and REGINALD NELSON
music by RYAN BEVERIDGE
edited by ANDREW CHARLTON and LINDA Di FRANCO
production designer REBECCA SCOTT
director of photography JESSE M. FELDMAN
executive producer DAVID SCHWIMMER
produced by JENNIFER BLAIR & TOM HODGES
written by REGINALD NELSON
directed by HARRY J. LENNIX
© 2007 JOHNNY PLASTIC PRODUCTIONS, INC. ALL RIGHTS RESERVED.
artwork designed by CHESHER CAT PRODUCTIONS, INC.

I Almost Forgot

February 4, 2007

One other thing I have to do.

Design a poster for My First Kiss.

It should be easy. I’ve created hundreds of movie posters.

But it’s so much harder when it’s your own movie.

What’s Going On?

February 4, 2007

My mad rush of artwork for the Berlin Film Festival took its toll on me. I finally delivered everything on Friday – well, thankfully I sent someone else to do the delivering because it turned out to be a real pain in the ass. All the jobs were last minute. I actually had a client call on Thursday for flyers they wanted printed by Friday. And everybody wants something different – heavier card stock, UV coating, no UV coating. It was all going to be ready at 5:30pm but I had to deliver to one of the clients by 6:15. [You like how I keep saying "I" even though I sent a "he"?] Plus Friday was the day that the crane fell over on the 405 freeway, paralyzing L.A. traffic well into the night.

Just being here trying to work on my rewrite while orchestrating the pickups and dropoffs was hellish. At some point in the afternoon, my printer called to tell me his aqueous coating machine was jamming up and the one set of flyers and postcards wouldn’t be ready until 9 or 10pm. Thankfully, it wasn’t the ones that had to be delivered by 6:15. Eventually it was all taken care of and the “he” dropped the last item to me some time after ten.

Still, no time to take a day off – I have a ton of rewriting to on My First Kiss. After a four hour strategizing meeting with Peter on Thursday morning, I realized there’s not a heck of a lot we can do without a finished script. My fault. Even though it was finished and people liked it, I decided to tear it apart for a major rewrite. Who thought deleting a simple little scene at the beginning of the script would topple the dominoes all the way down the line? Damn me. I should have known. My stories tend to have a lot of interwoven threads to them. Take out one stitch and tapestry unravels.

Tomorrow, I’m reading (I should say actors are reading) the third quarter of the script at my writers group. I rewrote that section yesterday. I’m hoping to have the whole thing done by mid-week, with a final spit and polish by the end of the week. Then, we need to put together a budget (actually three) and I’m also looking at music supervisors – one of the most important jobs for this project.

We will also look to attach some name talent – a little difficult for the lead girls but there are two or three memorable roles that should have cameo appeal. And, we’re still discussing who we might go after to direct.

I think making a movie is like building a house of cards. It is such a collaborative medium…if one card is out of place, the whole thing could fall apart.

Like I said, no time to take a day off.